Search results for " new media"
showing 10 items of 31 documents
A proposito di piattaforme e cinema
2021
SciFi Club e Uam.TV are just two of the new streaming platforms for cinema that are creating a vast and varied panorama of film proposals for the web.
La vita dopo la rivoluzione
2020
After what we can call "Digital Revolution" we need to redefine our approach to technologies and science. We need a new cultural approach to technologies.
The Museum of London, a City Museum as Narrative Exhibition
2014
From temples of sacred objects to repositories of colonial trophies and from monuments of civility to spaces for self-expression, the shape and the appeal of museums through history has been fashioned to hold particular collections of objects. Moreover the museums have been also designed to adapt to particular display techniques appropriate for a particular collection. In the last century, a period of structural reinvention in the design and shaping of the exhibitions, the museum making is challenging, creative, and complex. The ‘new museum making’ includes emotive exhibitions within communicative buildings in order to create ‘narrative experiences’ which integrate objects, spaces, and audi…
L'archivio audiovisivo degli allestimenti verdiani
This paper focuses on the methodologies adopted for the creation of the audiovisual archive of Verdi's stagings at the Istituto Nazionale di Studi Verdiani in Parma.
Pattern Recognition: The "Postcinema" Seen by William Gibson
2015
Attraverso la lettura di "Pattern Recognition" di William Gibson possiamo rintracciare i caratteri del Postcinema
“Fear No More”: Gender Politics and the “Hell” of New Media Technologies in Michael Almereyda’s Cymbeline (2014)
2018
The paper focuses on Michael Almereyda’s Cymbeline (2014), a modernized re-telling of Shakespeare’s play in which the Briton motorcycle gang, led by drug kingpin Cymbeline, comes into conflict with the Rome police force, led by Caius Lucius. In the film, which has been defined as “Shakespeare in the Instagram age,” sustained attention to media practices and technologies competes with the incorporation of textual material. In particular, the film displays a conflict between old media, including Shakespearean textual inscriptions (e.g. the “Fear No More” woodcut that Posthumus makes and sends to Imogen as a gift), and new media technologies, pervasively associated with perverse visualization …
The two cultures: Scientists and journalists, not an outdated relationship.
2013
The relationship between scientists and journalists is much better than its image. Scientists not only believe that public communication is a duty, but also that media visibility is beneficial for them. The scientific culture differs from that of journalism, which causes partly discrepant expectations; but in most cases these do not preclude satisfying interactions between journalists and scientists. The traditional relationship between science and journalism is challenged by the rise of new online media. These provide opportunities for scientists and scientific organizations to communicate directly with the public via websites, blogs and social networks. Science journalism seems to be in a…
Attivisti 5 Stelle a Palermo
2015
Nel 2005 nasce il primo Meetup palermitano, alla protesta contro i partiti unisce l’impegno ambientalista. Nel 2012 alle comunali la lista civica del Movimento 5 Stelle non raggiunge il 5%, ma diventa primo partito alle regionali (14,9%). Gli attivisti intervistati raccontano le diverse fasi del movimento a Palermo, tra successi e periodi critici. In 2005 the first Meetup arose in Palermo in order to protest against political parties and to support environmental issues. In 2012 the municipal civic list 5 Star Movement did not reach 5%, but it became the first party at the regional elections (14.9%). The interviewed activists illustrate the different stages of the movement in Palermo, descri…
Cinema futuro
2021
From the very beginning, directors, critics, historians of cinema but also of art and, again, writers and artists questioned the technologies to ask themselves what future cinema would have had, which paths it could have explored: from René Berjavel's "total cinema" "Expanded cinema" by Gene Youngblood up to "future cinema" by Jeffrey Shaw and Peter Weibel and "soft cinema" by Lev Manovich. Today, more than ever, digital requires us to look at what is happening to photograph the present and try to project ourselves in new ways, forms and audiovisual practices, trying to intercept some directions that cinema could take. The author therefore proposes a "futurology of cinema" which is also (an…
art/tapes/22
2014
L'articolo approfondisce la storia dello studio "art/tapes/22", in Italia pioniere nella valorizzazione e promozione della video arte.